Glen Doll Forest

One upon a time, there was a dark, dark moor,
and on that moor there was a dark, dark wood,
and in that wood there was a dark, dark house...

Blair House, Glen Doll, Angus

So began a beautifully-illustrated children's book. I loved it because after the spookiness its ending is all homely, and because it made me think of Blair House, Glen Doll. I didn't know one day Blair House would be mine, and I'd be restoring it as a field centre.

Doll is the Angus glen with the forest: the biggest on the Munro-strewn plateau that heaves between Deeside and the Mearns. Glen Doll forest clothes the midway point on Jock's Road, the ancient drove road from Braemar to Kirriemuir.

Blair House, on the edge of the forest, was acquired from the farm which it adjoins by the Forestry Commission, who sold it on to the Edinburgh Academy after the forest was planted. Its history is entangled in the forest.

I love Glen Doll forest because it has no pretentions. It panders to no human constructs of aesthetics or authenticity: neither "picturesque plantation" nor "native restoration". It's a functional timber crop of spruce, larch, fir, and lodgepole pine, yet it has grown so much richer than that. It provides vital shelter and variation in habitat. It covers land which would have been forest originally, now denuded and degraded by millenia of overgrazing, nothing like the pristine bogland notoriously damaged by ill-placed spruce plantations in Sutherland.

Glen Doll Forest with the peak of Mayar (top left) above Corrie Fee, Craig Rennet (centre), and Jock's Road running left to right.

Parts of Glen Doll forest have grown over-mature and begun tumbling down, creating glades and deadwood. Parts are being clearfelled, parts replanted, parts managed for leisure and biodiversity.

Summer larches and bilberry understory (V's photo)

Conservationists argue incessantly about how Scotland's landscape should be managed, but on one thing they all agree: we need more trees. We need them for biodiversity, and we need them for ourselves. Trees are our best renewable fuel and building material, and, vitally, our only effective method of carbon sequestration.

There is nothing 'wild' about Scotland's landscape: humans have been shaping the Angus glens since the stone age. Glen Doll forest is a fine example of how our influence can enhance, instead of degrading it, while making our own living from it. It is practising John Ruskin's economics: "THERE IS NO WEALTH BUT LIFE".

The woods on the Kilbo Path are strewn with boulders, full of the sound of tumbling water, and rich in mosses, ferns, and starry flowers.

Glen Doll forest has got into my Blair House refurbishment. I investigated biofuel pellets and ground source heat pumps; I was recommended oil; but I came back to log burners. I've contacted the foresters, and they can supply me. Instead of switching a switch to keep warm, people staying at Blair House will feel the roughness of Glen Doll timber in their hands, smell its scent, see it glow and hear it crackle. That's being in touch with nature.

Loving the trees at Blair House. That's me in green.

But we must plant more trees. And it is no good to say; we'll do that later. The ease with which we can spend nature's resources while so busy with our own thing is our downfall. There is no economics too costly, no politics too urgent, no religion too true, to delay restoring nature. The World Wildlife Fund as calculated that when Blair House first became a school field centre in 1970, there was twice as much nature in the world as there is today. Unless we put more back into nature than we take out of it every day of our lives, we will lose, catastrophically and soon. We need to write restoration into our every act.

This is why I have teamed up with Trees for Life for my Blair House fundraiser. For every £25 donation, £5 will plant a tree. When Blair House is open, guests will be invited to plant trees for the cars they drive and the wood they burn. This is not a gimmick, or a distraction, or a romance. This is writing restoration of nature into the down-to-earth running of Blair House.

Pines at Bachnagairn. (V's photo)

Trees for Life are restoring the ancient Caledonian pine forest which once reached as far as Angus, but their work currently focuses on Dundreggan further north. You can find scraps of it around Glen Doll at the steep corrie-ends and amongst the boulders out of reach of deer: Corrie Fee, Bachnagairn, and one above the treeline above Jock's Road which we christened 'the magic wood'.

'The Magic Wood', Jock's Road, showing the natural treeline should be far above the extent of the planted forest.

These are my tales of Glen Doll forest. If you like them, please help me restore Blair House, and plant a tree: here's the link.

I love the larch because it is deciduous, marking the seasons like a Japanese garden. In spring it bursts out in pink flowers...

... and in autumn transform to gold. (V's photo)

In autumn the forest's fungus community puts on a glorious display of mushrooms: if one isn't enough, here is an album.

In winter spruce and fir make far better shelter than larch. Looking down from Craig Mellon in December, the woods look like warm woollen rugs on the landscape.

"You struck off from Dundee, up through Angus, heading deep into the glens and up and over, aiming for Deeside. Snow covered the higher peaks. [...] You were in amongst a circle of pines, gently brushing the upper inches of the thick needle blanket into a deep, dry bed. [...] When you awoke you had been there long enough for a white sheet to have drifted down over you. You stood and shook yourself. [...] and soon you were on a track across a moor, climbing into the dimming light. The wind rose and the snow came on more densely, piling up with astonishing speed. In a while you realised you'd made a mistake by leaving the shelter of the trees." James Robertson, And the Land Lay Still.

 When I was very little, we used to make little houses for mice amongst the tree roots, inspired by Brambly Hedge and Beatrix Potter: a slate table and log benches, a carpet of fine red beech leaves, a feast of shiny mast, with their cuppy shells for candelabra, and lichen flames. 

Mum used to organise treasure hunts through the woods for me and my sister and my friend Lucy. Look, there's a clue in that tree! And we're deep in the woods on our own!

When I was twelve, Lucy, her friend Vicky and I were sent off by our parents to do the Edinburgh Academy wayfaring course right round the forest. We were into Eternal Flame, unrequited love, ghost stories, and, in my case, developing my arty photographs in darkrooms. It was October, mists rose out of the trees, and stags were bellowing on the hills all around us. We worked ourselves into an exquisite gothic terror, especially at one particular marker post, Number Ten, deep in a ride in the darkest part of a fir plantation.

I went back in 2012 to see how many of the wayfaring posts were still there, and found about half of them. I was excited to revisit Number Ten and approched it from the direction we had come almost twenty years before. But forest had been felled, and I found myself crossing a hundred yards of windblow. I thought I might never get out.

As I remembered how we had imagined Number Ten was enchanted, or cursed, it occurred to me that if I impaled myself or broke my neck here, no one would ever find me. Number Ten, when I eventually found it, was well outside the forest, amazingly still there. No, I'm not telling you where.

 We also used to love going for late night walks in the dark, letting the forest enwrap us. And when Lucy published her first novel last year, there it was:

"We let our eyes adjust to the dark, agreeing we would only use the torch if we got lost. Sound and touch became everything: the roar of the river, the crack of twigs under our feet, Jonathan's strong, warm hand taking mine. [...] After ten minutes' steep climb we came out of the trees at the viewpoint. There was a narrow bench and we sat down. The mountains were just traceable against the sky. They seemed to have a presence in the darkness. [...] "Look at the stars!" Lucy Lawrie, Tiny Acts of Love.

The landscape is always changing: the trees have grown up so far at Lucy's "viewpoint" that it is a name one can only pronounce now in inverted commas. When she came back with her own children last year, I showed her a new path through the woods along the river, where once we had struggled like pioneers in jungle. Her children were enchanted, like we were.

 

It's time for a re-enchantment of our landscape, of our society. Plant trees.
Or it's time for an evidence-based, long-term economic policy. Plant trees.
Or it's time to take practical action to mitigate climate change. Plant trees.
Plant trees.

Blair House will enable hundreds more people to encounter the enchanted, humble Glen Doll forest. Please follow this link to support its refurbishment - and plant a tree. You can find out about the Trees for Life Caledonian Pine Forest restoration on their website. 

Eleanor Harris @eleanormharris.

Photos mainly by me except for those by V who prefers to remain anonymous.

Red and green.

Looking across the forest to Craig Mellon from the window of Blair House in summer.

Larches and Scots Pines (V's photo).

Rainbow over a forest road.

The Whitewater in summer.

I love walking in the woods in heavy rain. You are sheltered and the trees turn to diamonds.

The woods immediately behind Blair House are not Forestry Commission, but associated with the old hunting lodge, and are full of ancient treasures and mossy riches.

V's photo.

Larches and fir at Lucy's Viewpoint.

Fern, sorrel, anenome: rich shapes in the forest understorey.

Blair House behind a licheny bough.

The Great Glen Doll Meadow

I've rescued and am refurbishing an old independent school field centre in Angus. It's a super house with which I have a long connection, but Glen Doll is even greater: a forest surrounded by a mighty Cairngorm plateau with thirteen Munros within reach. But greatest of all are its flowers.

One corner, Corrie Fee, is a site of global importance, which has inspired botanists for centuries, from the Forfar botanists who pioneered plant surveys of the British Empire, to modern Forfar botanist Alan Elliott of the Royal Botanic Gardens Edinburgh, to Mum, me and forester Andy Heald, armed with a field guide, no Latin names, and not much head for heights.

Corrie Fee waterfall, Andy being brave, and all we found was a globe flower, but it was a triumphant one!

Botany forms an important part of my vision for Blair House. The house is right in the glen: all my photographs on this page were taken within a few miles' walk of it. Learning to recognise flowers is one of the easiest ways for people of any age to reconnect with the diversity and beauty of nature. With a great variety of landscape types -- forest, lowland pasture, protected and degraded upland, cliff, alpine and wetland -- and good existing records, there is great potential for field trips and research.

This is why in raising the funds necessary to reopen Blair House I decided to create the Great Glen Doll Meadow. Everyone who pledges £10 or more to the crowdfund for refurbishment will receive enough seeds to plant a square metre of wildflowers - poppy, mayweed, bugloss, teasel, marigold, yarrow, knapweed, bedstraw, scabious, campion, ragged robin, vetch and more. You can sow these in your garden or a windowbox or perhaps in a neglected patch outside your office or school. I'd like you to post a photo of your flowers on the Blair House facebook page which I can collate into an album. The seeds are a mix of Scottish varieties from Scotia seeds based in Brechin, not far from Glen Doll.

So thanks to you, Blair House will not only be a place from which to look at flowers: it will also start out as a place which planted flowers, supported bees and other invertebrates, and inspired people with the wonder of the natural world -- before they even arrive. Make your pledge of £10 now, and get your bit of the Great Glen Doll Meadow.

Bedstraw predominating in a summer riot of flowers and grass above the tree line on Jock's Road

Anemone in the deep dark woods; sneezewort on the high mountain pasture.

Last April it was still all grey mist, rock, lichen: then I spotted the pink treasures: larch flowers, and high on the grey hillsides tiny purple saxifrage.

Little wild pansies, and tiny tiny eyebright: each one painted like delicate watercolours or ladies' eyes, to draw in the bees.

Frances hunting the perfect botanical photograph in the woods on the Kilbo Path.

Even as a very amateur naturalist, by learning to recognise the common flowers I can spot something a bit more unusual. This scrap of canary-yellow crumpled silk in its cherry-coloured crinoline, prancing high up the mountain, turned out to be a rock-rose.

My enduring favourite flower is one of the commonest: harebells. They look as if spiders have been constructing an orchestra on principles of gothic architecture from scraps of summer sky.

Orchids on the mountain and by the stream. Marching armies, of whirling dervishes.

No Scottish glen would be complete without heather and ling. Tons of it.

A forget-me-not in the Blair House carpark. A symbol of love all constructed on mathematical principles, like something out of the Scottish Enlightenment.

The historic flora of Corrie Fee is symbolic of the need to restore biodiversity and people's connection with nature. Please make your pledge today, and invite a friend to be part of the Great Glen Doll Meadow.

Knapweed, thistles and scabious: so tough, bright, profuse, Scottish.